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Thanks for saying what I couldn't have said if I'd spent the next week to...nah, who am I kidding, what I couldn't have said if my life depended on it.

Lefty's and 622 are the same owners. But I agree - I love Lefty's for a nice lunch.

Lefty's is also opening a brewery operation. Should be up soon

Brunch and Dinner - 622 takes the steal.

Im sorry for your loss.

As someone who has lost a child (car accident almost 2 years ago) I really hope this has a happy ending.......everything has changed for me since my loss, and every one of these stories now tears at my heart in a way that's exponential compared to how it was before I lost my son.......even though I'm not a religious guy at all, I PRAY for her safe return to her family........find your way home Nichole

Agreed. Jimi did things with the electric guitar that completely revolutionized the instrument. It's just insane the wailing guitar tones he could get back in a time when the only way to get much appreciable distortion was to crank his Marshall plexis to 11. The tones he created with the octavia, univibe, fuzz, and wah are just so unique. A lot of pedals I have bought have been in an attempt to emulate some of his sounds.

Another absolute game-changer guitarist for me is Tony Iommi of Black Sabbath. He was definitely influenced by Hendrix and other proto-metal players, as well as a heavy blues and jazz influence. Tragically, he has his finger tips on his fretting hand sliced off in an accident working his day job in a factory. He fashions some plastic tips to place over his fingers in order to play, but the string tension made it somewhat uncomfortable. So what does he do? He starts to detune his guitar significantly to lessen the tension, and that, combined with his loud distorted tone and blues/jazz playing influence basically gives birth to heavy metal. His fuzzy and heavy guitar riffs basically further revolutionized the electric guitar. It's just so awesome listening to all the greats and appreciating their individual impact on the instrument.

Tell me he's the guy on the mic that says, "smittyvtttttt....party of twoooooooo."

Jimi made guitars wail like no one ever had. He could manipulate feedback and distortion effects to take his early rock stuff over the top in a way that's hard to describe. Find some clips from the Monterrey Pop Festival and you'll see what I mean. Pre-Jimi, feedback was bad; he used it like a monster he had tamed.

There were also several effect pedals that were invented for Jimi, or for which he otherwise pioneered the use. The Roger Mayer Octavia is a great example. Listen to the "Purple Haze" solo; that's the first real coming out party for an octave shifter. He also got Dunlop to custom-make a wah pedal for his specific taste; it's more subtle than most. The Vox wah in the mid-60's that all the British guys used (and actually that Jimi ended up using at Woodstock) has a higher treble and a bit of a harder sound. The custom Dunlop wah is softer, with a mellower top end. A great example is the solo in "All Along the Watchtower." It doesn't "bite" quite as hard as a normal wah of the era. I actually have both pedals (and a 60's era Fuzz and Octavia, for extra awesomeness) and if you play a riff with one after the other, it's actually a pretty profound difference. "Little Wing" was also played through a Leslie organ speaker rather than a normal guitar amp, which launched the whole "phaser" craze.

From a technical/physical perspective, Jimi blended together a wild mix of Southern blues, folk, British pop, and emerging rock, using a combination of playing skills from all of them. He would fluidly mix a BB King "butterfly" vibrato technique (which takes great hand strength) with absolutely shredded riffs (which requires very fluid, light movement). It's a very hard style to play. He was also an early proponent of using the thumb wrapped around the back of the neck to fret on the low E; the blues guys did that all the time, but the rock guys didn't. They were largely stuck in standard chord shapes, octaves, etc. Jimi's style gave you full use of all five fingers in a different way, and in different physical combinations, and you can mute the low A with the tip of your thumb, giving you the ability to play any of the top four strings with your remaining fingers.

That, and he did a lot of drugs, so shit got crazy in a hurry.

As you may tell, I have devoted much of my playing time to Hendrix and rockers of that era. There's a reason for my Twitter handle.

I did get out monday p.m. when the wind laid down after the cold (by our standards) weekend. 13 trout, 5 small reds, and a small flounder in maybe 2 1/2 hours of fishing. small plastic shad (bunker color) and gulp curly tail (white)...fished sloooow in troughs next to shell bars, last half of the falling tide.

kept the limit of trout (5) and tried something similar to this recipe...good stuff!

http://www.foodnetwork.com/recipes/emeril-lagasse/trout-a-la-meuniere-re...

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